To Greenpoint 
July insects buzz the sidewalk. 
It's twenty minutes of rectangular and bleak to anywhere. 
See the cracks, 
the lines crisscrossing 
the telephone poles, the concrete 
and your hand, 
this street disappears into empties -- 
beer cans and sky. 
You're walking through airless shadows. 
Your shoes don't make a sound. 
And we have no idea where we're going. 
Empty Bed 
The muscles of my tongue cup him. 
Broken backed chairs lean forward expectantly 
and the rug curls in anticipation. 
No one can close their eyes but him. 
Then moonlight does what moonlight does, 
but faster. 
Shadows speed across his face 
like a hand struggling with Braille. 
I struggle for something not so solid. 
Preparations, retreats -- 
strategies are traced on the sheets 
covering his thighs. 
Only when he's sleeping can I think. 
Such things can be done 
with a shadow. 
The Anatomy of Distance 
Picture an oil painting, 
In the Medical Academy, by a Dutch master in 1741. 
The walls are in shadow, appear to be black. 
Our walls are blue. 
I. The Doctors: 
In the auditorium, 
in our room, 
spectators surround the body. 
One touches it and looks at us. 
He doesn't mean to touch the body 
in a way that has any kindness in it, 
As your fingers attempt to sign nothing 
with their grasp, 
but his hands are as gentle 
as the soft astonished faces of the men staring at us 
as we stare at them. 
II. The Body: 
The body does not appear 
to be sleeping but dead. 
Not just the pallor but the lack of eyelashes. 
The upper lip curls in ecstasy or disdain. 
Although the kidneys vena cava intestines 
splay into our faces, 
the body 
is the only one 
who escapes in this picture. 
The one 
truly alone and hidden. 
III. Us. 
You and I are hidden 
from each other 
by the body, 
the deeper we thrust 
our cutting, fondling instruments 
the farther we float away like unmoored boats. 
Until we lie next to one another 
on the same bed 
in different rooms 
the same color as the inside of an eyelid 
or eggshell, 
the same color blue. 
Hysterical Blindness 
My life is pain. 
I could be a hypochondriac. 
There's some kind of multiple choice here, 
but I lost the pencil and forgot to mark the page. 
I'm not quite sure -- I wake up sick 
in the morning, nauseated by all the light. 
My feet leaving the mattress 
for the floor gives me shooting pains 
somewhere. 
I'd have to ask my doctor, 
but she stopped returning my calls last month. 
She said it was getting too intense 
between us, 
all that blood and exchange of bodily fluids. 
She had a thing for latex. 
I think that shows a fear of intimacy. 
We only kissed twice the whole time 
we were together. 
Anyway, it's over now. 
She won't even renew my prescription 
for codeine. 
And I'm left with this migraine 
and an unnatural swelling behind my left ear. 
My skin, it tingles 
sometimes, along my fingertips. 
I'm sure it's the precursor 
to some sort of paralysis. 
And the light, ah, 
the light! 
It scalds my eyes. 
Makes them tear constantly. 
This can't be normal. 
Tell me, this can't be 
normal. 
Sex in Middle America 
Moonlight clings 
to a slip on a clothesline. 
The light holds it like a dance partner 
a hand around the waist 
a knee nudging between knees. 
The line sighs with brilliant expectation. 
In the breeze 
the lace hem 
lifts 
lifts 
lifts 
reaching with hips 
and subtle 
invisible groin 
towards 
the shivering moon.
Bite Me 
The South African junkie 
bites my breasts 
with his broken teeth. 
He refuses to believe 
the bruises are from him. 
I love him in exact proportion 
to his disdain. 
His rotting breath 
flat ass 
and constant farts 
remind me of a dream 
in which I ride a black donkey 
in the mountains of a desert 
and hit it with a switch. 
With his arms around me 
I can hear flies 
as if we are already dead.
The Addict Renames the Days 
This day is called Screamed myself hoarse at him 
while I sat naked and fat on the futon. 
The next day is called He punched his fist through 
the wall and I kissed his broken knuckles. 
The next is called I am too stoned to remember to 
move when someone fucks us. 
The next day is not called anything. 
The next day is called My head is a snow globe 
that’s been set on fire and is cracking. 
This is followed by the day of Vomiting and regret. 
The final day is I’m leaving you and getting a real life, 
then the week starts over. 
In the elevator 
going up to your apartment 
you jam your hand 
down the front of my pants. 
And I'm not wearing underwear. 
This is sudden and 
makes me wet 
but I think you 
close your eyes 
not to see me 
but to see yourself. 
You're living 
in your own 
private porno flick. 
I'm not starring. 
I'm just an extra. 
I'm just along for the ride.
Things that are Left at K-mart, 
According my Dream on Wednesday 
Stitches. Spines. Saints. 
Folds of female flesh. 
Waterlogged books, swollen pages spreading. 
Scallops. Clams. 
Seawater. Ski masks. 
Hatchets. Tea leaves 
in the shape of an anchor. 
Long-legged blondes. 
Window blinds. 
Vikings. Mustaches. 
Gold hoop earrings. 
Plaid checks. Chocolate chip cookies. 
unsets like pink daisies. 
Mannequins with chipped lips. 
The torso of a woman. 
A marble quarry filled with rainwater. 
The torso of a woman. My mother. 
Black fingerprints. 
The torso of a woman. 
The rhinestone glasses she wore in college. 
The Venus de Milo. Cumulus clouds. 
My Venus. My torso. 
The torso of a woman.
Dream Cats 
My cats hate electricity. 
They are scabby, fetid, dark. 
They nose the alarm clock off the dresser. 
They unplug the TV, the fan, the microwave. 
My cats circle me in the dark, 
teeth shining like 
the memory of that night 
the one I turn the lights on trying 
to forget. 
1,000 Words for Snow 
Adolescent Anorexics: 
can be nothing but a cliche, 
their necks and waists 
pared down to a commonality. 
They are becoming feral and angelic, 
Fur springing from their forearms and upper lips, 
Cheerleaders with yellow and navy polyester croptops 
revealing an emptiness, 
Their hair 
falling 
like blond rain, 
more giving up the scalp for the pillow 
each morning. 
The scent of vomit, bleach and strawberry 
lip gloss 
coalesces in front of them like 
Skywriting bargaining with God, the body. 
Their eyes burn like stomach acid 
Their mouths drool uncontrollably at the refrigerator light. 
They are reducing 
To satin bows around necks, the texture 
of new teddy bear fur, and 
pink, 
curling into an earlier and earlier knot, 
Recapitulating into a 
sparrow, a 
fish, a 
fishbone, 
A wishbone of endless white ice, 
or vast vanilla ice cream. 
They are returning to something everyone remembers 
But cannot say. 
They are ivory novices in an abbey 
with blood colored shadows, 
prostrating themselves before 
Before it happened 
before the ever slower 
beating organ, praying 
for the final reversal of miracle. 
And in their ears they always hear 
the tinny ringing -- 
A scratchy voice from a swollen 
Victrola, singing 
of the snow-white 
beauty of bones. 
Getting Over 
I keep his cigarette butts in my cereal bowl 
on the kitchen table 
next to the bottle of wine he drank. 
It's become an acrid shrine to forgetting you. 
A toast to his teeth gentle on my ribs, 
to his thumb beckoning inside me 
until you were just 
healed bruises and 
fingerprints. 
It's a souvenir of his whispered 
questions, my answers always 
yes, yes, 
with the breath of 
a woman who has run a long way 
to get to this place. 
American Dream 
This is a poem about a lawn. 
It's green. 
It's square. 
It's flat where the chairs went in August. 
There are dandelions. 
A bulldog digs a hole and buries a hand, 
buries a handball. 
The lawn is mown at near regular intervals by 
a flamboyant transsexual. 
I mean a moody teenage boy. 
The mower is gas powered and full of deadly thoughts. 
The daughter of the house 
ten 
sniffs gasoline in the garage. 
When she lies on the cool invasive concrete 
the rafters full of her father's tools spin above her. 
Later, she will become a moody teenage boy. 
I mean a second grade teacher. 
Until she marries a red haired man 
who dies suddenly. 
She finds herself feeling nothing and 
questions the nature of her reality. 
She's not real 
so she doesn't question it for very long. 
But this poem is not about her; 
it's about her lawn 
and she's ten and 
hasn't turned into anything interesting for 
the past 24 hours. 
The lawn, however, 
has become a sunset, a stick of flesh 
and a tic in the gunman's lower eyelid. 
Near midnight 
it becomes a weeping man, 
stands up and 
walks out of this picture.